by ADA | Mar 31, 2025 | News, Uncategorized |
Despite myriad figures for illicit trade worth billions or even tens of billions of dollars, no one can point to any reliable source for claims
A survey of a dozen of the world’s top law enforcement agencies and government departments has revealed that none of them appears to have any accurate data regarding the value of cultural goods trafficking globally.
This is despite multiple claims going back years of an illicit trade worth tens of billions of dollars.
Indeed, in at least one case – Interpol – the only reference to the size of the problem comes in a ten-year-old video still prominent on its website, in which former Secretary General Jürgen Stock makes the claim that the black market in art is as lucrative as the illicit markets in drugs, weapons and counterfeit goods – a claim long since exposed as untrue.
Carried out on behalf of several art market trade associations, the survey sought responses from the European Commission, the EU Directorate for Culture, the European Anti-Fraud Office (OLAF), the US State Department, Interpol, Europol, the FBI, Homeland Security, the Financial Action Task Force, the UK’s National Crime Agency, the World Customs Organisation and UNESCO.
Care was made to approach the correct source for such information in each case, and follow-up requests were made when advised by the relevant authority of a different source.
The aim was to get a clear picture of trafficking levels
The aim of the survey was to establish a clear picture of global trafficking data for cultural property.
“It is important to establish credible data to defeat the extensive misinformation and disinformation surrounding this subject, which plays a significant part in hampering effective policy making,” the authorities were told.
Each was asked the following: “Do you have any independently verifiable figures relating to the value of trafficking of cultural property, especially any global figures for the annual value of this risk area?”
And each was asked to supply the data and its sources if it was available. Not one did. More than one admitted that it didn’t have the information or that it simply did not exist. These included organisations producing extensive reports claiming cultural goods trafficking is a huge problem.
Others either did not respond or directed the request to another source. In one case, the UK’s National Crime Agency, the request was met with refusal to respond on the grounds that it was not a public body.
No relevant data from Interpol or Europol
Despite mass data being made available for associated issues and other categories of risk via the World Customs Organisation annual Illicit Trade Reports, together with arrests and seizure data from Interpol and Europol via Operations such Pandora, not one authority was able to provide any credible data on the size of cultural goods trafficking.
Having previously stated on its website that it had no data showing the size of the problem and adding that it never expected to have any reliable data on global trafficking in cultural property, Interpol says it is a “lucrative black market” and introduces its Cultural Heritage Crime section as follows: “Trafficking in cultural property is a low-risk, high-profit business for criminals with links to organized crime. From stolen artwork to historical artefacts, this crime can affect all countries, either as origin, transit or destinations.”
Requests to both Europol and the World Customs Organisation have proved equally fruitless.
Europol directed the request to its website, which gives no such data. However, it had responded to an earlier request, stating: “We do not have these figures. Europol is not a statistical organisation – Europol’s priority is to support cross-border investigations and the information available is solely based on investigations supported by Europol.”
Europol has since confirmed that it does not have the relevant data.
When emailed in February, asking why it no longer included any relevant data in its annual Illicit Trade Report on Cultural Goods, The WCO explained that global data on illicit trade “does not exist”.
When emailed again in March, it did not respond.
No relevant data available from Eurostat
The European Commission’s information service directed the request to Eurostat, but that does not have any relevant data.
The Financial Action Task Force directed the request to its 2023 report: Money Laundering and terrorist Financing in the Art and Antiquities Market. However, much of that report is based on historically inaccurate data and provides no credible figures for global trafficking at all. It also acknowledges that it does not have the data, stating on page 28: “The lack of reliable statistics concerning looting activities, especially from conflict zones, makes it difficult to assess the scale of the phenomenon. However, taking into account the volume of looted archaeological goods seized in certain international or national police operations, it appears that this is a large-scale activity.” This view does not tally with the global data published by the World Customs Organisation.
The US State Department directed the request to the Office of Civilian Security, Democracy, and Human Rights, providing two phone numbers. One had a voicemail, so a request was left for an email address, with no result; the other number did not work. The weblink provided by the State department gave no information on the ‘Office’. Extensive web searching came up with no contact details. No further response came.
A March 12 response from the FBI referred the request to an online request form, which was filled in the same day. To date, no further response has arisen.
No relevant data from the European Anti-Fraud Office
A follow-up request elicited a response from the European Anti-Fraud Office (OLAF). It welcomed the attempt to gather credible data but said its work did not relate directly to doing so itself.
No responses came at all from the Directorate-General for Education, Youth, Sport and Culture (DG EAC) (Cultural Heritage Unit); UNESCO’s Information Service (for all UNESCO data); or Homeland Security.
Readers will have their own views as to what this means, but the complete lack of any reliable data – or any data at all in most cases – raises the question as to what the unending slew of claims over global trafficking in cultural property are really based on.
A more detailed summary of individual responses is available.
- This article will be updated by any further responses of note.
by ADA | Jun 27, 2024 | News
On June 25, The Chalke Valley History Festival played host to a BBC seminar on the thefts from the British Museum. BBC Culture Editor Katies Razzall and her team of investigators shared a platform with whistleblower Dr Ittai Gradel in front of a packed audience as they told the tale of how the thefts came to light and Dr Gradel’s pivotal role in exposing them.
The audience listened spellbound as, accompanied by slides and excerpts from the current BBC documentary series on the issue, the panel unfolded the course of events over a 15-year period.
Dr Gradel started by explaining his background and interest, and the nature of the gems involved, detailing their historical importance and variety, before setting out how his suspicions first arose about the eBay seller from whom he had been acquiring items since 2015.
The turning point came when he spotted direct evidence in the form of flaws in one gem that matched those in the records of the British Museum collection. The thief had largely sold off items that had gone unrecorded but slipped up after years of getting away with it, he added.
The BBC team of investigators told how they had tracked buyers down to the United States and Germany, where one journalist, Darin Graham, found what was arguably the most important missing gem in a public exhibition.
The audience treated Dr Gradel as a hero, especially after learning about the difficulties he had faced trying to get the British Museum management to take his alerts seriously. They were equally clear about how important they considered the museum to be as a British institution.
The BBC has now released a podcast series, Shadow World, currently a series of ten episodes covering the scandal and how it unfolded. It is freely available to listeners.
by ADA | Jun 14, 2024 | News
Leading art market lawyer says new regulation will risk isolating the EU culturally
British trade associations concerned about impending EU legislation that will affect UK exports will brief dealers on the changes at a seminar in London on June 28.
Titled The increasing difficulty in the international movement of ancient coins and objects, the afternoon session is organised by law firm Devonshires, who will host the event at their London offices and online on behalf of the British Numismatic Trade Association and the Antiquities Dealers’ Association.
The session will focus on how to comply with the news EU import licensing regulation (2019/880), which comes fully into force on June 28, 2025, and affects art and objects created and originally discovered outside the EU.
Provenance, due diligence and paperwork are at the heart of concerns as the trade associations argue that the regulation will make it all but impossible to meet its demands.
Of particular concern is the manner in which the regulation reverses the burden of proof for importers to the EU. Instead of the authorities having to show that imported items have been stolen or illegally moved, it will be up to the importers to show that they haven’t.
Martin Wilson, co-chair of the newly formed Art Lawyers’ Association, summed up the challenges in an article published on June 13 titled The New EU Cultural Goods Import Law – Politics over Pragmatism?
Wilson, who is also Chief Legal Officer at Phillips Auctioneers and author of Art Law and the Business of Art, argues that the law is unlikely to prevent the trafficking of cultural property, one of its chief aims: “…the best-case scenario is that trafficking activities will simply be diverted to elsewhere in the world by this law, not stopped,” he writes. Worse, while the legitimate market will face the burden of compliance, traffickers will simply ignore the law, he believes.
“There is a risk that the more difficult it is to import an object legitimately the greater the incentive to resort to smuggling and the greater the rewards for doing so. If that happens trafficking activities will be neither stopped nor diverted – and may even increase,” Wilson warns.
It is also apparent that the EU authorities have significantly underestimated the challenge of establishing an effective electronic registration system for imports – “a mammoth task”, says Wilson – while customs officials are unlikely to have the relevant experience or expertise to deal with applications. The expected clampdown likely to result from this means will mean significant delays, inconsistency in rulings and unjustified refusals, he says.
Wilson concludes: “This complexity and delay – as well as the likely inconsistency of decisions – will likely be a strong disincentive to import art of any kind or origin into the EU. This will lead to fewer imports into the EU of art and fewer EU buyers of art in countries outside the EU. By making it harder to import cultural property, the EU will then risk becoming culturally isolated.”
This is the context in which the June 28 seminar will be conducted.It runs from 3pm to 5.30pm BST, with networking drinks to follow. Those interested in attending in person or remotely can find all the details here.
by ADA | May 28, 2024 | News
Sir John Boardman OBE FBA Hon RA, Emeritus Lincoln Professor of Classical Art and Archaeology at the University of Oxford and an Honorary Fellow of the Magdalene College Cambridge for 40 years, was not just the pre-eminent scholar of Archaeology and Ancient Greece, he also proved to be a remarkable friend to the antiquities trade and collecting.
Sir John, who died on May 24, aged 96, published numerous notable works, including The Greeks Overseas (1999), Persia and the West (2000), World of Ancient Art (2006), and Archaeology of Nostalgia (2002).
Born in 1927, and educated at Chigwell School and Magdalene College, Cambridge, his early career included three years as Assistant Director of the British School of Archaeology at Athens, while later he served as an Assistant Keeper in the Ashmolean Museum, Oxford, and then Reader in Classical Archaeology and Fellow of Merton College, Oxford.
By 1963, Sir John had become a fellow of Merton College, Oxford, going on to succeed John Beazley as Lincoln Professor of Classical Archaeology and Art. Having been knighted in 1989 and frequently cited as “Britain’s most distinguished historian of ancient Greek art”, he retired in 1994, his long life bringing him another 30 years of research, study, and influence.
This influence included the development of a simple, logical and compelling assessment of the ancient world as being divided into three geographical zones, with accompanying characteristics that did much to inform their art. These were the nomadic peoples of the north, the farming and city peoples of the temperate zones and the inhabitants of the hotter zone at the tropics. As the Telegraph obituary noted: “Nomads, he found, whether in Asia, Europe or America, tend to have an art based on small, portable figures, often animals; monumental architecture is largely confined to the temperate zone, while in the tropics art largely based on the human form, with an emphasis on ancestors.”
He took part in excavations in Smyrna, Crete, Chios and Libya, and his awards included the Kenyon Medal (1995) from the British Academy and the Onassis Prize for Humanities (2009).
Sir John was especially concerned with the art and architecture of ancient Greece, particularly sculpture, engraved gems, and vase painting.
When it came to the sensitive and combative debate surrounding antiquities in the context of Middle Eastern conflict – especially over the past ten years – Sir John was a robust defender of the trade and argued that we all have a responsibility to prevent looting and smuggling, including those nations from whom artefacts are removed. Article 5 of the 1970 UNESCO Convention puts the primary burden on the country of origin, as he reminded us. As the Convention summarises: “It is essential for every State to become increasingly alive to the moral obligations to respect its own cultural heritage and that of all nations,” he said.
In recent years he considered the merits of antiquities whose find context could not be traced and the relentless drive towards the reversal of the burden of proof when it came to the legitimacy of objects.
In 2017, he wrote an article for Cahn’s Quarterly, titled Academic Censorship, that touched on the subject, beginning: “A majority of the books published in the last fifty years about ancient art have depended on illustration of objects which are not from controlled excavations, and to pretend that they are therefore illegal, useless and misleading is, of course, absurd, yet this is the logical conclusion to be drawn if the extreme view about ‘academic’ or ‘moral’ integrity is accepted, and all objects not from controlled excavations are ignored.”
In the article Sir John argued that it was very doubtful whether sites could ever be controlled effectively. As an example of an artefact that is out of context but useful, he gave a silver chalice of no known provenance in the Bible Lands Museum, Jerusalem of around A.D. 500.
“It is no doubt from the Palestine area and its Latin inscriptions show it to have been made for a Eucharist ceremony – “Holy is God, holy the mighty one, holy the immortal one, have mercy on us” – typical for the Eastern Orthodox Church. Its lack of detailed provenance cannot disqualify it as a record of Antiquity.”
Unlike so many other academics, Sir John proved himself impartial in search of history and the truth: “Some years ago it was said that in Turkey boys who found antiquities on an ancient site could sell them to dealers who would then supply them with forgeries to sell on to tourists/collectors. Yet the recent publication of some 500 Roman seals, gems and rings, picked up over some 30 years by a family walking over the fields concealing the ancient city of Caesarea (S. Amoral-Stark & M. Hershkovitz, Ancient Gems, Finger Rings and Seal Boxes from Caesarea Maritima: the Hendler Collection, 2016) shows how much is still on the surface, and no less valid as evidence than excavated material.”
Demonstrating just how relevant the study of Ancient Greece remains to this day, less than 24 hours after Sir John’s death, a new study using volunteer marines from today’s Hellenic Forces to test the effectiveness of Greek Bronze Age body armour revealed just how good it would have been in protecting Mycenean soldiers 3,500 years ago.
Longstanding ATG columnist and former Christie’s specialist Richard Falkiner still owns a Greek scarab that Sir John published when he first became acquainted with him in 1963.
“He was very easy to have discussions with, even those to those who knew infinitely less than him,” he said.
by ADA | Aug 9, 2023 | News, Views |
The introduction of the new Aboriginal Cultural Heritage Act 2021 in Western Australia on July 1 has proved such a disaster that it has been scrapped after little more than a month.
Announcing the withdrawal, Premier Roger Cook said: “Put simply the laws went too far, were too prescriptive, too complicated and placed unnecessary burdens on everyday Western Australian property owners.”
As the Brisbane Times concluded: “It’s hard to think of a bigger lawmaking failure in recent political history than the WA government’s impending backflip on its Aboriginal Cultural Heritage Act.”
Why is this of interest to the world of antiquities? Because it deals with the same competing priorities that cause friction between commercial and personal interests on the one hand and heritage campaigners on the other, and because it shows what can happen when you tip the balance too far in one direction.
The news that the 2021 Act would be scrapped came after fears that the legislation, which undermined personal property rights for a huge section of business, farming and the public, in favour of the cultural heritage rights of indigenous peoples, might be extended across Australia.
One example of how enforcement of the law had an immediate and stifling impact was the cancellation of civic tree-planting ceremonies after an Aboriginal land corporation demanded $2.5 million to allow them to go ahead.
WA Premier Roger Cook had come under personal attack over the measures, which he refused to delay after complaints that the law was poorly written and its likely impact unclear.
He introduced the Aboriginal Cultural Heritage Act 2021 (ACH Act) after Rio Tinto destroyed sacred rock shelters at Juukan Gorge while searching for iron ore in May 2020, despite being warned of their significance earlier. Rio Tinto later apologised, and the CEO and other senior executives later resigned over the matter.
Redefining the meaning of Cultural Heritage
Section 18 of the original 1972 Aboriginal Heritage Act, which held sway until now, provided for land owners to proceed with activities that might be severely damaging to cultural heritage interests if granted permission by the government after a review.
The new act redefined the meaning of Aboriginal cultural heritage so that it was no longer limited to places and objects but also included cultural landscapes and intangible elements, although what they might be was uncertain.
It also replaced Section 18 with far tighter restrictions on property over 1,100 sqm, with permissions to be sought via Local Cultural Aboriginal Heritage Services (LCAHS), bodies that have yet to be fully established.
Effectively the Act gave Aboriginal bodies a direct and greater say – tantamount to a veto – over what landowners could do with their land through the oversight of a new Aboriginal Cultural Heritage Council (ACHC) to whom the LCAHS report.
The type of work covered could be as simple as putting up a new fence or updating irrigation works, as well as more complex projects.
Successful applications by landowners would be issued with an ACH permit, while those of greatest concern winning that approval also had to provide a management plan before going ahead.
Even when they had complied fully with all this at their own expense, landowners risked seeing their plans cast aside if new information arose concerning heritage aspects of the site.
New law “suffocates” private property rights
Those opposed to the early introduction of the law said its statutory guidelines, published at the end of May, were not clear.
Sky News political commentator Caroline Di Russo argued the new law was much worse, saying it “suffocates” private property rights of landowners, and adding that it is “the most disproportionate and overblown response imaginable”.
Red tape and ambiguity would plague farmers and industry as they tried to comply under the threat of prosecution and even jail, Russo said. Even where permission was eventually granted, it was unclear how long the drawn-out process would take.
Despite the extended definition of Aboriginal cultural heritage, Western Australia’s planning chief, Anthony Kannis, who had ultimate responsibility for overseeing the changes, was unable to define what would be covered when asked about this in a question-and-answer session with ABC News, saying “…if there is any doubt whatsoever about the advice you’re getting, there are opportunities to consult with us as a department and raise questions with us”.
One farmer whose family had farmed land in the region for over 50 years had deliberately preserved 1,000 hectares of forest country for decades, only to be told by Mr Kannis that a decision to clear it using fire in keeping with Aboriginal tradition was a possibility if the ACH ruled in its favour. “This is about giving Aboriginal people a say, and that shouldn’t be lost in all this discussion,” he countered.
In what the Financial Review dismissed as “farcical scenes”, at a forum hosted by the Association of Mining and Exploration Companies, “one mining executive asked government officials whether planting a tree near the Swan River in Perth would require a site inspection by traditional owners and the preparation of a heritage management plan.
“The officials replied it would depend on the size of the tree.”
The estimated cost of consulting what Mr Kannis described as “knowledge holders” ranged between AUS$80 and AUS$280 per hour (≠ £42/$55) (≠ £140/$150).
However, as the Financial Review also noted, “Junior exploration companies complained of being charged upwards of $200,000 for heritage surveys in the lead up to the new laws coming into force and said the rollout had been shambolic.”
Penalties for those in breach of the law included fines that started at AUS$20,000 for moving or selling ACH objects. An individual seriously harming ACH could be fined AUS$1m, while a corporation could be fined AUS$10m, with both also risking jail terms.
Concern led to scrapping of fines for initial period
Such was the concern over this amid confusion over how the law would be interpreted that Mr Cook scrapped fines for the first 12 months of enforcement while the legislation bedded down.
The WA government dismissed calls for a review, even after a petition launched by the Pastoralists and Graziers Association demanding a six-month delay raised 27,000 signatures.
Mr Cook ruled out any delay to the new regulations, despite the widespread concern, saying: “The laws are about a simpler, fairer, like-for-like transition of the current laws already in place.”
However, reality soon struck, with the impact on mining interests, as well as farming, seen as devastating. Support for the government plummeted.
Meanwhile, having secured a cultural hegemony via the new law, Aboriginal Heritage groups are now furious at the WA government change of heart.
In all, this was a textbook case in how not to address the valid concerns of indigenous groups as they fight to protect their culture. The WA government under Roger Cook dismissed the equally valid concerns of ordinary people in protecting fundamental human rights relating to property. In turn, this infringement blighted the economy in such a way that much of it risked grinding to a halt in weeks if not days. And that would have driven a deeper wedge between the competing interests of landowners and indigenous groups.
Add to all this the predictable risk of abuse of power by heritage groups handed almost unlimited say in what landowners could do, and the government had prepared the ground for toxic levels of corruption when it came to consultancy fees.
Now Mr Cook is being forced to re-adopt the 1972 law that he had argued was problematic. Having overseen this catastrophic and avoidable policy change, his credibility in seeking to resolve the issue any time soon is in tatters, and he will be doubtless focused now on shoring up support.
His arrogance in dismissing the loud and valid concerns of farmers and others as he declared the new law “simpler, fairer, like-for-like” won’t be forgotten any time soon.
WA disaster an object lesson for law makers
The WA disaster is an object lesson for law makers across the globe when it comes to balancing commercial and private interests with the demands of heritage groups. Effective policy means a nuanced approach that takes both into account, not throwing one side to the wolves in the hope of ingratiating yourself with the other.
Failure to strike this balance despite being obliged to do so by a clear policy directive does not augur well for the European Union’s import licensing regulation (2019/880) for cultural property, due to be enforced from June 2025. The damage to the international art market, including that of the EU itself, as well as the infringement of ordinary people’s rights, is likely to be widespread if that goes ahead – and Brussels has been alerted to this this often, but continues to ignore the warnings.
Too often laws are ushered through with barely a nod at genuine scrutiny of the concerns of all stakeholders. As the Brisbane Times concluded about the WA affair: “Had there been a robust parliamentary debate the practical issues that eventually emerged may have been ironed out before the laws came into effect on July 1.”
The European Commission would do well to look closely at what has just happened in Western Australia.
by ADA | Jul 17, 2023 | News, Uncategorized
Ministry’s legal head reinforces ‘innocent until proven guilty’ principle in interpreting law
The Italian Ministry of Culture has issued a potentially ground-breaking statement, following a court ruling. It challenges current thinking on cultural heritage and patrimony and reinforces private property rights.
Essentially the statement addresses conflicting priorities between private property rights and the Italian state’s desire to protect its cultural heritage, and how this conflict addresses proof of ownership.
Recent years have seen a significant shift in attitudes among state authorities and law enforcement towards the idea of reversing the burden of proof regarding the legitimate ownership of antiquities and ancient coins. This is despite private property rights being enshrined in all fundamental clauses of international human rights conventions and in both common law and natural justice. Guilty until proved innocent has almost become the new normal.
Now, however, comes evidence of a fight back against this fundamentally undemocratic idea. This statement is one of them, and it has an additional welcome twist.
It arose after Italy’s Directorate-General of the Department of Archaeology, Fine Art and Landscape sought advice from the legal department on how to interpret Article 72 of the Cultural Property Act. As Coins Weekly notes: “This article governs the import of archaeological (numismatic) objects originally from Italy and demands extensive proof of origin.”
The legal department’s head, renowned professor of law Antonio Tarasco, came back with a surprising statement, acknowledging competing views. On the one hand, some lawyers argue that protecting Italian cultural heritage is a priority that renders significant objects as state property unless private ownership can be proved (reversal of the burden of proof); on the other are lawyers who argue that private ownership should take priority except in the most exceptional circumstances.
Law professor acknowledges Court of Cassation ruling as precedent
This dichotomy led the professor to look at the part documentation has played over the years in establishing ownership rights for coins in Italy. The first thing he noted was that as late as the 1980s, retaining proof of purchase was highly unusual. But he also noted that in 2009, his department insisted that “proper documentation issued by the countries of origin” was essential in establishing the lawful circulation of objects.
Importantly, this meant that any certification issued on import had to be renewed at the appropriate time or the Italian State might take possession of the item in question.
Fast forward to 2021, however, and Italy’s Court of Cassation – the highest appeal court which focuses only on how laws are interpreted – re-established the priority of private ownership without automatically having to provide supporting documentation (innocent until proven guilty).
Professor Tarasco points out that this meets the test of proportionality and reasonableness (just as the ADA has been arguing needs to happen with the EU import licensing regulation 2019/880). Of particular note is what Professor Tarasco has to say about this: “Forcing citizens (be they collectors or professional numismatists who buy abroad) to provide (almost fiendishly extensive) proof of the legitimate origin of the coins they buy, which must even date back to before 1909 [when Italy’s patrimony law was passed], is ultimately making it more difficult to buy – and therefore import into Italy – significant numismatic material that may one day enter public collections.”
The welcome twist Professor Tarasco adds at the end of his statement argues that making imports more difficult is actually damaging to Italian cultural heritage: “If we look closely, we can see that this approach – even if applied with good intentions – will not result in Italy protecting its national cultural property, but rather losing it.”
A fascinating statement from the head of the legal department of Italy’s Ministry of Culture, then. With all this in mind, how does Professor Tarasco view Italy’s application of Article 4 of the EU regulation 2019/880 from June 2025? It insists on the sort of “fiendishly extensive” documentation and evidence that effectively reverses the burden of proof in the way he decries here. And how does he feel about the Memorandum of Understanding Italy shares with the United States, which does exactly the same?
Professor Tarasco has highlighted the importance of proportionality and reasonableness here – qualities echoed in the European Commission President’s guiding principles for policy. If the Italian government’s leading legal authority on the issue, together with its highest court, acknowledges that private property rights have priority over what may be seen as the national interest in this way, how can it continue to move forward with either the new EU law or its MoU?
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